its been a couple of years since classic released an original artist album, the last one being luke solomons critically praised timelines. this time round classic brings a relative newcomer into the fold. eli escobar has slowly been building a credible reputation out of his home in new york, releasing his first single back in the late nineties and moving more recently from hip hop into dance music. as a dj, he harks back to a golden era of disco and early house music, graduating through the 90s during which he was brought up on a diet of underground house including classics early output. in recent years classics head was turned by his wonderful album up all night that was released on night people, a label from new york that eli (pronounced el-ee) has a vested interest in. following up the album with a series of singles, the label swiftly became a cult dance classi

the second vinyl release on new berlin label nemorous records is again by anja zaube, a rising star of the techno underground renown for her sophisticated soundscapes that form a backdrop to intelligent, dark techno sets.

soothsayers are back with a double a side featuring two massive tunes from their forthcoming album. originally released on the strut records album collaboration with cornel campbell, soothsayers have reworked their tune nothing can stop us upping the tempo and showcasing the vocal recipe of singers idris rahman , robin hopcraft and julia biel take me high is a heavy, dark and spacious head-nodder. sublime tripped out vocals by soothsayers as cornel campbell floats high in the atmosphere above accompanied by earth-shaking trombone and analogue bleeps in a sumptuous dubbed up mix. warm analogue sound recorded at fishmarket studios, mixed by daniel boyle at rolling lion studios. soothsayers releases are always championed by dj david rodigan (bbc 1xtra), as well as gilles peterson (bbc6) and many others.

bleed release a second ep of the year in the form of a third solo outing for label head volte-face, who also records alongside daniel avery as rote. recently featuring on semantica s latest nonnative compilation, you bury me sees volte-face further refining his hypnotic, atmospheric approach to techno. the a1, shirime , is dark and trippy, with a brooding atmosphere throughout. iori s remix on the a2 recontextualises the core elements of the original track with a broken-beat. the b1, you bury me , features a grindingly anthemic synth-line and marries it to a gothic ambience. dead cat on the dinner table rounds off the ep, an unapologetically straightforward beat underpinning some outrageous and unpredictable sounds. early support from dj nobu, svreca, daniel avery, tripeo and etapp kyle.

the aim of „métamorphose“ is to offer a voyage to the listener. the pieces really often start quite dark and then the mood turns into something intimate to catch the audience from the deeper spheres. sometimes it goes the other way as well: the track starts in a happy way and turns into a deeper vibe. by doing so the listener should notice his own feelings and try to completely let himself go. further he should be aware of his emotions: on the one hand the happy and melancholic and on the other hand the dark and rather monotonous side. in addition to the musical part to each track there is a specific artwork which was made while listening to the tracks and is based on the emotional expressions which were triggered by the sounds.

nice price deal !!! for the first time chicago artists traxx & josh werner come together as jm strap and they are responsible for the a side of this record. we proudly present >the owl in daylight<, an amazing track that brings back the chicago jakbeat sound with an incredible bassline that seems alive, weaving all around the song to take it to the next level with a simple but intriguing dark pad and brilliant solid drums. on the flip we have >play error< by juanpablo. this madrid based artist is responsible for the frigio label and his track composed on the phrygian scale. the result is a dark and rythmic tune with a sweet melody and background voices. like the other tunes on this record >mute city< by lektoluxe remains at the underground level with galactic melodic synths and a fat deep bass that switches to acid tones at points.

kicking off the ruby hill s label with it s first release is birmingham s, nightmoves. the concrete ep is a four tracker, with dark room sleazily bass slapping it s way across the dance floor to you, building and oiling you up before flourishing into the synth laden house stomper that will work you into a tizzy, while once upon a time in guilin zones in on a trippy far east setting, drawing you in before an acid takeover. flip it over and find a more downtempo nightmoves with varnish , a heavily layered track with synth, bass and percussion brimming over, building from bell s, synths, kicks and hi-hats up to a house groove while cloud walking squelches it s way through trippy echoing synths and invites you to enjoy its deep distorted journey through the skies k-clouds. limited to 300 copies, housed in a hand stamped manilla brown sleeve with separate artwork and stickers

the first release on confused machines pays respect for some of their homeland collaborators/heroes in a form of remixes. side a present two remixes by the models. the first one for the cult ex jerusalemite trio mouth and foot, a slow and mellow / romantic house tune (in hebrew), while the second remix is a dark shoegazy atmosphere with harsh 808 treat for singer songwriter bela taar. the flip side holds an essential edit for late 80 s post punk female duo mafatal, mule driver turned the original cut into a dance floor hit using tribal poly-rhythmic drumming with merciless driven bassline.

the season was the standout track of the second beanfield album human patterns. feat. bajka on vocals. on this 12 inch, the season is featured in remixes by charlie dark (attica blues). on the flip catalpa, comes in original version & ian simmonds remix!

disco is back! from paris to melbourne, berlin or athens, a new blend of 70s inspired disco sound is currently taking the dancefloors by storm with artists like monika, limperatrice or leonxleon, creating a stir on the international scene. paying their dues to the pure form of disco, these new artists, far from mimicking the clichés, are adding an unmistakable millennium twist to the genre. this is disco 2.0. the double vinyl release includes a download code.

firstly, a huge thanks to everyone for supporting us so far - 2016 has seen the dext label continuing to go from strength to strength, with our callahan and mella dee ep s backed with remixes from hodge and endian which have been been super well received. now for the third ep of the year from our resident comedian bodyjack. bodyjack has been an integral part of dext since he remixed dubspeeka on our 2nd release and headlined our label takeover of privilege in ibiza last summer. we are very excited about his return to the label with this 3-tracker (and our first full solo artist ep!), and we think you re going to dig this... the title track cobra effect is one of those tracks you aren t going forget in a hurry. intense and brooding, we are hard-pushed to categorise this, but layers of sinister bass coupled with dark, driving snares and eerie synth work culminate masterfully, making this the perfect dext track. hydra effect lifts the vibe with a straight up peak-time house jam with a sting in the tail. a raw-but-infectious bassline winds along under bodyjack s signature killer drum programming, before blasting off with something you aren t going to expect. rounding the ep off is slowine effect: a proper dancehall workout (reminiscent of bodyjack s earlier work) and a real cross-genre party starter. the most upbeat of the 3 tracks, this again takes all the elements of what we love about the music from the past and cleverly works them into something special for the rave. and that s not all for bodyjack on dext this year - he will be back with a one-off ltd record called -hot shot-, backed with a very special remixer...but more on that soon!

berlins cult techno duo exercise one release their newest 12inch featuring 3 tracks. one track reminiscent of the past, one track gazing at the future and a time defying remix by locked groove.timetrap has always been the dark horse of exercise ones back catalog, so they decided to go back to the original idea of the track and see where they could take it. a few sessions later their ears were happy and timetrap 2016 was born. the staccato groove and eerie hook of the original now live in a much more powerful and demanding surrounding. exactly what they where looking for.

the new vinyl-only record label modeight continues to expand the influence of east european underground dance music. silat beksi is well known for his tracks that pump the best afterhours worldwide, and also for his plentiful creative collaborations. three tracks were prepared for the ep together with the immensely talented musician durrrred from germany. “over” immerses us in a cold dark techno atmosphere. “afterglow” brings you out of the darkness so that you can see the infinite beauty of dawn at the sea. the elastic bass line of “inception” pulls you into the dense vibrations that captivate you and won’t let you leave the dance floor.

after the sensation caused by his last release, elchinsoul comes back strong with another battle cry into the darkness on cellaa music. in his usual nonchalant style, you can expect deep driving arrangements. through the precisely applied sub-basses and the unobtrusive synth pads, a first class sound-performance is guaranteed. made to fill dark basements, clubs and also festivals with sound. the ep contains 4 tracks and includes a masterpiece of a remix by sven jaeger, and a special vinyl only track, which will not be availeable digitally. if you have listened to the full ep, there only will be 4 words to describe it: this is dope shit!

bakk lodges sfv acid with a double deal - a 12 inch (doep) with deep n dark electro vibes and a 10 inch (jazzchamber) for the smooth and elastic funk. both come with the unusual sfv acid touch. it comes in two screen printed inner sleeves packed in a plastic sleeve with a chrome sticker - conceived by the bakk cartoon cartel.

blow out - summer 2016 nice price action ...back after a two year hiatus following their top 10 hit with >the creeps<, freaks launch their next episode with >umakenosense<, a mind-bending electronic monster package complete with bad ass radio slave remix.
>umakenosense< is a distorted trip into psychedelic territory through a minefield of cosmic energy. this is music that appeals to the mainstream and the dark underground, a formula that freaks have achieved time and time again.
radio slave has become renowned for his epic reworks, producing some of the best-loved remixes of the past few years. he doesnt disappoint with an expedition through low-end and high-octane stratospheres shaking out thegroovy beast and creating a sonic soundsystem mash up of a remix ... rewind!
freaks was originally the brain child of bournemouths justin harris and london-based luke solomon, but has mutated through its live format into a 6 piece outfit incorporating the infamous jonny rock on guitar, sascha darroch davies on drums, vocalist stella attar and rub on bass. with three albums behind them, a seminal label we know and love as music for freaks and a top 10 hit with >the creeps<, freaks have journeyed through filter disco, quirky mid tempo house and minimal techno to cement their own revolutionary style.
luke, justin and stella are now writing new material for their 4th studio album and a best of compilation (out end 2009). from early demo listening, it looks as if it will be a mesh of all their electronic, disco and leftfield pop influences and will undoubtedly re-introduce their fans to a whole new level of freakish behaviour.

rediscovered 80’s british acid house gem ‘cortina kidz’ recently made a serious impact on andy butler’s mr. intl with remixes from factory floor and juan maclean & tim sweeney. hot on the heels, moscow’s lipelis’ steps in to remix with striking results. pitchfork enthused of the recent reissue being “a chilly acid-house track operating the influence of both soft cell and the specials,’ xlr8r as “drenched in dark and sleazy overtones, the track encapsulates a downtrodden time in london”, while ransom note noted “cortina kidz is more than just an old skool oddity- it s a banger that s stood the test of time”. originally recorded on london’s stoke newington road in 1987, produced by a young tim brinkhurst ahead of his imminent record deal with virgin records with his band soho, and long before his current role as manager of mercury prize winners, young fathers, ‘cortina kidz’ remained undiscovered and the eccentric spoken word overlay and weird lead vocal made it very unlike the prevailing dance music sound of the time. leonid lipelis explains that “since it’s a reissue of a relatively unknown record it gave me a certain freedom of expression (when it’s something well known and classic you re likely to produce something more serious). i came up with more of a pop song, structured with a vocoder for the main version and had fun playing with vocal samples for the dub mix, paying homage to the 80s sound in both.- lipelis’ recent release on lies records has gained him support from four tet to dimitri from paris. he also runs a side project for hardware jams called tmo and co-runs low budget family records.

2lp, full colour artwork , 2022 repress, released by popular nts show noise in my head - liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini)

peviously unreleased! tip!

crosses genre to find its own space, & soundscapes, downtempo, ambient, & house music all find a place. the record flows like a vague narrative, a non-specific sort-of passage, a meditative jazz-house trip.

transatlantyk return with a double header informed by the dark continent label regular universo (architect of their best ep no less) cooks up a splendid slice of culturally appropriated, campfire heat. its graceland era paul simon fed through some expertly assembled 21st century software. on the flip ryan r (reynolds maybe?) offers up umqondo. as western polands answer to awesome tapes from africa, we d say he knows from whence he takes. its a groove so thick even dr livingstone would have trouble hacking through it, an immersive ride though to be sure, and one which will make infinitely more sense at 4am sunday morning than it does at midday on a tuesday.

thule records brings a brand-new material from the icelandic techno legend, exos. the a-sides, downgarden and citric are both hypnotic, yet unrelentless, techno grooves with dub influences - sure to be a essential in the record bags of all true techno djs. the b-side starts with hin heilaga threnning, unforgiving track yet full of grace. finally we have ormus, a dark yet atmospheric journey - tastefully tying together the ep and therefore igniting exciting new era for thule.

we are stoked to have this quality producer and vital part of frankfurts underground on nick curly & gorges 8bit imprint for the first time - welcome sascha dive! after more than a decade of playing and producing in one of technos most influential cities, dive premieres on catalogue nr.108 with funky rhythm seduction ep & its just the quality sound you d expect! lab #2 & planet e strive from subby rooted techno, filling the floor with dark energy and a little old school vibe. funky rhythm seduction completes the package as a timeless deep groover that hits with tribal elements and rollin drums, perfect for most peak time situations and upcoming summer parties

heated heads delves into another dark corner of the american experiment, this time via the lone star state. graig clouse s shit & shine project has been a mainstay of the underground for well over a decade, having released unique sides for legendary labels like rhode island s load, riot season, gangsigns, powell s diagonal imprint, rocket recordings, conspiracy outta belgium and the inimitable editions mego, to name but a few. for this 12-, $&$ has invoked the ghosts of cb radio via the us trucking fraternity - 4 cut n shut jams that defy regular definition. backed so far by the likes ron morelli (l.i.e.s), the trilogy tapes, bill converse, jon k, nina (golden pudel), shapednoise

vox low come in hard, slow and dark on a new 3 tracker for correspondant. the pyschedlic parisian duo display various iterations of left field menace, ranging from glam rock on “the hunt”, electro disco on “some words of faith, and pitched down acid on “i am a strange machine sometimes”, but all with the signature analogue pulse which correspondant is famed for presenting

adjunct audio is proud to announce the release of the new apendics.shuffle album aware sequence found life. here we have the asfl limited 12inch album companion, this is a special release for the vinyl freaks!2 hard heavy hitting spaced-out dance floor gems touching space feat. kelly johnston on vocals & sunburned tears feat. kenneth james gibson himself on vocals. sender records boss benno blome remixes the albums intro dark outlines into a trippy vinyl-only late night slammer. also included is the albums outro piece which is a perfect ambient mix tool!

vinyl only! kontrafaktum surfaces from the depths of the abyssal zone with dark drone techno crafted by nax_acid.

vinyl only. after releases on top notch labels such as witty tunes and mile end, young italian dj and producer niceteed debuts on my little dog with a solid vinyl ep. 2 tracks of underground music, which wobble in that fine line between techno and tech house. straight rhythms, dark voices and playful and malignant analog synths are the hallmarks of both songs.

six tracks make up jauzas the shining s latest vinyl offering. brutal basslines stand, arms folded, in front of snapping snares, distorted notes bucking under immense mechanic pulses. to help drop the temperatures, to push the punishment, dynarec and raw jay have been drafted in to add their own eclipsed emotions to the mix. dark skies, brimming with rain and heavy metals hover across this record, pin pricks of light piercing the charcoal heaven before diving back into the ink-stained sonic psyche of jauzas.

den “nightcrawler”-soundtrack gibt es in zwei deluxe-lp-editionen. das cover zu 39138151 basiert auf dem original filmposter, das set kommt mit einem bedruckten inlay und einem download-code als extras und das vinyl hat die farbe von cherry cola.
james newton howard gehört inzwischen zu den bekanntesten soundtrack-komponisten hollywoods. seine scores für “the dark knight” und “batman begins” (beide gemeinsam mit hans zimmer) genießen kult-status, er hat aber auch so unterschiedliche filme wie “pretty woman” und “the hunger games” vertont. ursprünglich war er session-musiker und verdiente seinen unterhalt als tour-keyboarder von elton john, bis er mit dem soundtrack zu “the sixth sense” eine eigenständige karriere realisierte.
als tatort-paparazzo-kameramann schlägt sich lou bloom (jake gyllenhaal) durch die nächte von los angeles, immer auf der jagd nach bildern von unfällen, verbrechen und mord. ein lebensstil der ihn prägen wird ... - der kult-film von dan gilroy beleuchtet die schattenseiten des urbanen lebens.

things are getting grim. the good guys and the bad are determined to settle their escalating dispute in the ring. after the bookies have taken their bets, the bad guys are taking the upper hand in the first few rounds. the nefarious comment about their beloved mother seems to have sparked uncontrollable rage in the pair. dont rule out the good guys just yet though, as they seem to be plotting something their opponents from the dark side wont see coming. for the second outing in the quartet series, french fry and parisian concrete resident s3a (sampling as a n art, faces) infuses the good guys with some positive energy.

just in time for summer, sol power sound is proud to present its 4th release, the djidjo vide ep, a 1-2 punch of afro house by label heads, the sol power all-stars. djidjo vide, the title track on the a-side, features dc (via togo) afrobeat band, elikeh. it s a vibey slice of propulsive afro house about finding joy in the face of hardship. massama dogo s commanding vocals (sung in mina) combined with the driving bassline, and aggressive horns (performed by dc s sticky bear) make djidjo vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you. the b-side, tell me why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by matt rippetoe and joe herrera of dc s the harry bells). it s a late-night beatdown that will set things off proper in a dark room!

bodytonic music present the fear inducing yet exquisite mouth to mouth ep by cult dublin band ocho. distorted bass, grinding rhythm and icy atmospherics give ep opener vines a dramatic, dark and icy celtic beauty, all set to the spectral voice of lead singer stace gill. completed by producer /writer dos and a plethora of talented guest musicians, the band s ambient sound is influenced by an eclectic mix of music from around the world. ocho released their hauntingly beautiful debut young hunting in 2012 and mouth to mouth marks a mesmerising return for the intriguing duo and their unique brand of ice-cold, soulful electro, getting support from the likes of severino, anthony naples, fish go deep & more

ltd 10 inch , brill deep and dubby journey , for those who knows

the hidden meaning of number 13 is change, the death of something and its rebirth. this is the idea behind gabriel dor & bordoys new album 13, which is meant to be a turning point on their career. influenced by old school techno but also by modern sounds, after 6 years of production partnership, theyve decided to release their first entirely unpublished lp. the album, made out of 13 cuts, starts with a dark intro that paves the way into a forceful kind of techno, followed by vintage sounds with gloomy touches and sometimes even emotional ones. they have used many instruments and samples discovered along the way on this composition process, plus lots of others found in the previous years. the sounds put together on this album have been carefully picked to preserve their uniqueness, while trying to walk on a different path.

christian b & lavvy levan return with the second instalment of their sounds from the den series on friday fox recordings. this latest vinyl 4-tracker picks up where vol.1 left off and continues to explore the outer reaches of the house genre, kicking off with the massive weak from fatty mombassa which combines fatty s now trademark spoken word against a ferociously infectious disco influenced groove. south africa s rudi botha & miggza return with a looped-funk affair in the form of people come together . rob slac delves deep into the dark recesses of a tech-style groove with the deliciously sultry lonesome butterfly . the package is completed by the upfront sound of kieron ayres what must i do .

facit, which debuted on minimal wave s sublabel cititrax back in 2013 now gives us a beautiful swedish cover on the a-side, about a man growing up still playing with his dolls.the b-side his dark helping hand, trying to reach out.

this is the phase ii ep of leo anibaldi variations. after evocation ep with sebastian mullaert (minilogue) realized on cannibald records, for the a side leo has proposed markus henriksson (minilogue) to create a new version of (always from reality) a track coming from the album cannibald realized in 1992. for the b side leo has involved donato dozzy to create a new version of aeon fusion 1 (1994) wich is a very particular tracks for thoose years considered by the statistics as one of the key tracks before the advent of dub dark techno music. the project will be out 1st july on cannibald records strictly on vinyl.

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

raw electronix all the way from medellin, colombia. it s retrograde youth making his debut on radio matrix. by serving us three different kind of tunes, he shows us he is definitely an artist to keep your eyes and ears focused on.

storming into our fifth release from the dirty shores of new jersey, green village is proud to present village elders 001, a compilation ep featuring new material from artists who have already flown the flag for gv. the a-side is held down by the plan b duo of dj spider and dakini9, purveyors of the metro area s dirtiest and deepest house sounds. spider gets toxic a second time,following his 2013 instruction drop with toxic trace 2, a thickly layered deep house cut whose seedy percussion underbelly contrasts vividly with the more traditional deep house pads that accompany it. dakini9 s lost paradise is dark and mysterious like its title, the hats, trumpets, and vocals emerging in tangled webs of dub effects, a strong follow-up to her dope ep for the label. disaroen, a duo from toronto, half of which previously appeared on gv, turns in the most barren of the four tracks, serious doorman, heads-down techno that crackles to life halfway in and an auspicious debut for a promising new group. last is nj heavyweight nicuri, a rising star whose ripples of time closes the ep in his signature searching, melodic style.

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

goncalo salgado aka lake haze first came onto the scene in 2014, with a release on dj haus’s ­ unknown to the unknown imprint. since his impressive inception to the scene, lake haze’s sound has developed and evolved massively, so much so, that in 2015 he created an incredible offering for dutch label creme organisation, which featured a legowelt remix. the four track ep, features dark synthy productions on the a side, with more club friendly acid cuts on the flip. packaged in full sleeve artwork, limited press.

when heavyweights collide in any arena there’s always going to be fireworks, and the violent five ep sees two such goliaths, black sun empire and state of mind, go head-to-head across four dark-edged dancefloor killers.

matt bridgewater aka callahan first released on 4 seasons back in 2015 with ‘armshouse’ ep, since then he released an impressive offering on dext, featuring a hodge remix, as well as playing shows around the uk. the four track ep, features heavy breakdowns, percussion fuelled rhythms, as well as the club friendly ‘state of mind’ collaboration with uk legend roska. straight club fuelled, dark room business.

already three years after his third album, vitalic is back on jennifer cardini’s records label correspondant records with two original new tracks. often unclassifiable, but always efficient, vitalic shouts out and restyles his universe under many different ways. after having mixed electro music to rock, to disco and then to pop in the course of his three albums, « film noir » ep invites us to a spatial journey. unusual, unknow, fascinating, powerfull and sometimes dark , this project defines itself as a cold disco. his own and recognizable esthetic shows here two of his multiple faces : ‚film noir’ will remind absorbing universe of german sound of 90’s : a techno and slow kick, a spatial slicks and a worrying mental melody. ‚ooey’, a sort of hallucinated electro pop joined by some chorists, without forgetting lady disco despite of its new wave bass.

this new vinyl from gynoid s sub-label translucent is a strong dub techno ep from kristian heikkila featuring the lovely petra valej on moody vocals. added are remixes from legendary samuel l session with a techy uplifting version, advanced human with a sharp, dubby techno version and to round off the release we also get a tooled up, instrumental dj edit. all sure ingredients that make this wax complete, dark and beautiful.

the clone basement series dedicated to the true spirit of techno and music that excels in a dark smokey and isolated basement (including the dark corners of your brain) comes up with its first album release. this album explores the spiritual side of techno with a full length album by finnish artist aleksi perala constructed from parts of the various colundi sequence levels presented so far. this is a limited triple album containing the spirit of the colundi sequence and showcasing the multiplicity of emotions and conditions as defined through the colundi scales.

morphology, back where they began on abstract forms. killer aquatic electro born out of cold, dark and long winters in finland.